Their sense of novelty (and humor) also gets an airing with the track "Seamus." The roots of future song "Wish You Were Here" could be traced to the acoustic guitar sound on "Fearless," and the cohesive and engaging medley aspect of "Dark Side of the Moon" really bursts out of "Meddle" closer "Echoes" (earlier lengthy music pieces by the group, from "A Saucerful of Secrets" to "Atom Heart Mother," are enjoyable works that tend to wander, whereas "Echoes" feels like a full-fledged unified audio tapestry at 23:29 in length). Some of their finest songwriting, singing and playing comes together on this record. "Meddle" is a turning point for Pink Floyd. They are vibrant albums, cohesive statements and worth repeat airings (well, maybe not so much "Ummagumma". "More," "Ummagumma" (1969), "Atom Heart Mother" (1970), "Meddle" and "Obscured by Clouds" aren't just transitional works. This pastoral period is far too often overlooked, and it's a genuine shame. (Heck, the cover to "Atom Heart Mother" features a cow, for goodness sake.) I call this Pink Floyd's pastoral period, full of idealized, rural imagery and laid-back presentations. There were still guitar riffs and rockers, but from 1969's "More" to 1972's "Obscured by Clouds," you heard a lot of acoustic strums, harmony vocals, nature sounds and pleasant daydream diversions. In the period following Barrett's departure and before "Dark Side of the Moon" catapulted the band into the top echelon of rock bands, there was a folksier period.
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